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                    <l facs="#facs_385_tr_2_tl_1" n="N001">Artes</l>
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                <ab subtype="Ars Delineatoria, Pictoria, Sculptoria, &amp; Chalcographica" type="subcategory">
                    <l facs="#facs_385_tr_2_tl_3" n="N002">Ars Delineatoria, Pictoria, &amp; Sculptor.</l>
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                <l facs="#facs_385_tr_2_tl_2" n="N003">339</l>
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                <l facs="#facs_385_tr_2_tl_4" n="N004">in Octavo</l>
                <l facs="#facs_385_tr_2_tl_5" n="N005">&amp; min. formâ</l>
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                <l facs="#facs_385_tr_2_tl_6" n="N006">Disegno del Doni dove si tratta della Pittura e Scoltura,</l>
                <l facs="#facs_385_tr_2_tl_7" n="N007">&amp; delle cose appartenenti a questi Arti. 12.° in Vineggia</l>
                <l facs="#facs_385_tr_2_tl_8" n="N008">1549. Giolito.<idno subtype="Octavo und kleiner, 921" type="n_signature"> n. 921</idno>.</l>
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        <div type="entry">
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                <l facs="#facs_385_tr_2_tl_9" n="N009">Il riposo di Rafaello Borghini in cui della Pittura e</l>
                <l facs="#facs_385_tr_2_tl_10" n="N010">Scoltura si favella, e sinsegnano le cose appartenenti</l>
                <l facs="#facs_385_tr_2_tl_11" n="N011">a dette Arti. 8.° in Fiorenza. 1584. Marescotti.<idno subtype="Octavo und kleiner, 922" type="n_signature"> n. 922</idno>.</l>
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        <div type="entry">
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                <l facs="#facs_385_tr_1_tl_1" n="N012">Trattato della Pittura fondato nell'Autorità di molti¬</l>
                <l facs="#facs_385_tr_1_tl_2" n="N013">Eccellenti Maestri. da Franc. Bisagno. 12°. in Ven. 1642. Giunti.<idno subtype="Octavo und kleiner, 923" type="n_signature"> n. 923</idno>.</l>
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                <l facs="#facs_385_tr_1_tl_3" n="N014">Bulengeri (Iul. Cæs.) de Picturâ, Plastice, &amp; Statuariâ</l>
                <l facs="#facs_385_tr_1_tl_4" n="N015">Libri II. Lugduni. 1627. Lud. Prost.</l>
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        <div type="entry">
            <ab type="text">
                <l facs="#facs_385_tr_1_tl_5" n="N016">Moyen universel de pratiquer la Perspective sur les¬</l>
                <l facs="#facs_385_tr_1_tl_6" n="N017">Tableaux, ou Surfaces irregulieres, avec quelques¬</l>
                <l facs="#facs_385_tr_1_tl_7" n="N018">particularités concernant cet art &amp; la Gravure en¬</l>
                <l facs="#facs_385_tr_1_tl_8" n="N019">taille douce par Ab. Bosse. 8.° gr. Pap. Paris. 1653.<idno subtype="Octavo und kleiner, 924" type="n_signature"> n. 924</idno>.</l>
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                <l facs="#facs_385_tr_3_tl_1" n="N020">Traité des pratiques geometrales &amp; perspectives enseignées</l>
                <l facs="#facs_385_tr_3_tl_2" n="N021">dans l'Academie de Peinture &amp; Sculpture par Abrah.</l>
                <l facs="#facs_385_tr_3_tl_3" n="N022">Bosse, avec fig. 8.° gr. Pap. Paris. 1665.<idno subtype="Octavo und kleiner, 925" type="n_signature"> n. 925</idno>.</l>
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        <div type="entry">
            <ab type="text">
                <l facs="#facs_385_tr_3_tl_4" n="N023">Le Peintre converti<add hand="other" rend="bleistift">j</add>aux precises &amp; universelles Regles</l>
                <l facs="#facs_385_tr_3_tl_5" n="N024">de Son art. 8.° Paris. 1667. Ab. Bosse.<idno subtype="Octavo und kleiner, 926" type="n_signature"> n. 926</idno>.</l>
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        <div type="entry">
            <ab type="text">
                <l facs="#facs_385_tr_4_tl_1" n="N025">Sentimens sur la distinction des diverses manieres de</l>
                <l facs="#facs_385_tr_4_tl_2" n="N026">Peinture, Dessein, &amp; Gravure; &amp; des Originaux d'avec</l>
                <l facs="#facs_385_tr_4_tl_3" n="N027">leurs copies; ensemble du choix des Sujets &amp; des chemins</l>
                <l facs="#facs_385_tr_4_tl_4" n="N028">pour arriver facilement a bien pourtraire par Ab.¬</l>
                <l facs="#facs_385_tr_4_tl_5" n="N029">Bosse. 12.° Paris. 1649. Ab. Bosse.<idno subtype="Octavo und kleiner, 927" type="n_signature"> n. 927</idno>.</l>
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